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After Nearly 30 Years, Tupac’s Murder Finally Goes to Trial

Today, August 10, a Las Vegas courtroom does something hip-hop has waited three decades for. Duane “Keffe D” Davis stands trial for orchestrating the murder of Tupac Shakur.

This isn’t a documentary rehash or another true-crime podcast theory. This is real, and it’s happening now.

Who’s on Trial, and For What

Davis, 63, faces a single count of murder with a deadly weapon, with an added charge that the killing furthered criminal gang activity. He’s been held without bail at Clark County Detention Center since his arrest in September 2023. He’s pleaded not guilty.

Prosecutors say Davis was the “shot caller” behind the group that fired on Tupac’s car on the Las Vegas Strip on September 7, 1996. Tupac died six days later. He was 25. Suge Knight, riding with him, was wounded but survived.

Davis is the only person from that car still alive.

The Case Has No Smoking Gun. It Has His Own Mouth.

Here’s what makes this trial unlike almost any murder case: there’s no weapon in evidence, no getaway car recovered, no surveillance footage of the shooting. What prosecutors have instead is Davis himself.

Over the years, Davis has talked. A lot. He wrote a 2019 memoir, “Compton Street Legend,” laying out his version of that night in vivid detail, describing getting a gun, getting in a Cadillac with three others, spotting Tupac’s car, and what happened next. He’s given interviews. He appeared in a BET documentary and said the fatal shot came from the backseat, where his nephew Orlando Anderson was sitting.

Prosecutors plan to use Davis’s own words, across the book, the interviews, and statements to police, as the backbone of their case. The defense’s counter is straightforward: call the book unreliable, call the interviews exaggerated for book sales and camera time, and argue the real story doesn’t match the public one.

Why It Took Almost 30 Years

Anderson, the man Davis named as the actual shooter, died in an unrelated shooting in 1998 and was never charged. For decades, the case went cold, revived periodically by documentaries, podcasts, and Davis’s own media appearances, but never resulting in charges. Davis wasn’t arrested until 2023, and the trial itself has been delayed multiple times since, pushed from an original 2025 date to February 2026, then finally to this week, as his defense team worked through what they described as an overwhelming volume of evidence.



What Happens This Week

Jury selection begins the trial and is expected to take about a week on its own. Once a jury is seated, the trial itself could run as long as six weeks. Expect the first real fireworks once opening statements start, likely within days of jury selection wrapping.

One complication prosecutors have already acknowledged: nearly 30 years is a long time. Some witnesses have died. Others may not remember details with the clarity a courtroom demands. Suge Knight himself could be a witness, but he’s currently serving a 28-year sentence for an unrelated fatal hit-and-run, which gives the defense an easy angle to question his credibility on the stand.

Why This Still Matters to the Culture

Tupac wasn’t just an artist, he was a voice that shaped how hip-hop understood pain, struggle, and truth-telling. His murder has functioned for 30 years as an open wound in the culture, equal parts mystery, myth, and grief. Every anniversary brings new documentaries and new theories. None of it has ever been tested in a courtroom until now.

Mopreme Shakur, Tupac’s stepbrother, has spoken about what sitting through this trial will mean. He’s called it something that will be retraumatizing to witness, but says he’s staying cautiously hopeful the process leads somewhere real. That’s probably the most honest way to describe where the whole culture stands watching this unfold: hopeful, but not naive about how hard these cases are to close cleanly, even with a defendant’s own words on the record.

Whatever verdict comes out of this courtroom in the weeks ahead, it closes a chapter that’s been open since before some of hip-hop’s current biggest artists were born. We’ll be following it as it develops.

Follow along with more coverage as the trial unfolds. For more on the culture, the history, and the stories that shaped hip-hop, check out the latest issue of Scrilla Guerillaz Magazine.



Streetwear’s Shift: Bye Hypebeast, Hello Architecture

The Streets Stopped Shouting. Now They’re Building.

For twenty years, streetwear had one language: louder. Bigger logos. Brighter drops. A hoodie wasn’t worth wearing unless everybody in the room knew what it cost. That era isn’t dead yet, but it’s definitely limping. Walk through any city block right now and you’ll notice something different happening on people’s backs. Nobody’s asking you to read the label anymore. They want you to see the shape.



From Hypebeast to Architect



The culture has a new obsession, and it’s called “Architectural Oversize.” Forget the sloppy, borrowed-from-your-cousin baggy look that defined the last wave of streetwear. This is engineered. Think heavyweight fabrics holding sharp 3D silhouettes, pieces built with actual structure instead of just extra yardage. It’s oversized, but it’s not shapeless. There’s intention in every seam.



That distinction matters. The old hypebeast game was about volume, of releases, of hype, of who could line up first and flex hardest online. The new wave is about craft. It’s less “did you cop it” and more “who made this and how.” That’s a real shift in values, and it says something about where urban culture’s head is at heading into the back half of the decade.



Sustainability Isn’t a Footnote Anymore



Here’s the part that would’ve sounded corny five years ago: the streets care about where the fabric comes from now. “Eco-Utility” is the phrase designers keep circling back to, high-performance outdoor materials meeting recycled street silhouettes. Multi-pocket functionality. Earth tones instead of neon flex colors. Boots getting swapped for lighter, breathable builds that don’t wreck your feet after a full day on concrete.



This isn’t the streets going soft. It’s the streets growing up. A generation that watched fast fashion trash the planet and their wallets at the same time is now building a wardrobe that’s supposed to last, physically and culturally. Durability is the new drip.



Sportswear Still Runs the Building, But the Blueprint Changed



Sportswear swallowed luxury a while back, and that’s not reversing. Brands like Off-White and Fear of God are still the reference points everybody checks before a drop. But the influence pipeline looks different now. It’s not just runway to street anymore. Fashion insiders are pointing at courtside, not just the front row, as the new place where style gets decided. Athletes are doing to fashion what rappers did a decade ago: setting the pace before the industry even catches on.



For a magazine built on the intersection of music, culture, and street style, that’s not a side note. That’s the whole story. The artists SGZ covers have always understood that what you wear is part of the message. Now the fashion world is finally catching up to what the culture’s been doing all along: treating style as a statement of who’s really building something, not just who’s spending the most.



What This Means If You’re Actually Building a Wardrobe



If you’re trying to stay ahead instead of playing catch-up, here’s where to put your attention:



Look for structure, not just size. Oversized doesn’t mean shapeless anymore. If a piece is baggy but has no architecture to it, it’s already dated.



Check the fabric story. Where something’s made and what it’s made from is becoming part of the flex, not something you hide.



Layer with intention. Hoodies, vests, and jackets stacked isn’t random anymore. It’s a look, and it should read like one.



Watch the courts, not just the runways. If you want to know what’s next before it’s everywhere, tennis and basketball culture are currently doing more heavy lifting than fashion week.



Stay skeptical of the loudest logo in the room. The culture’s already moved past it. If a brand is still selling you volume over vision, that’s a sign they’re behind, not ahead.



The Bigger Picture



What’s really happening here isn’t just a fashion trend, it’s a mood shift. After a decade of algorithmic churn, everybody copying everybody, creative directors getting swapped like it’s fantasy football, the culture is tired of noise. People want things that feel real again. Craftsmanship. Story. Something that took actual thought instead of a marketing calendar.



That’s not unique to fashion. It’s the same energy showing up in music right now, where independent artists are finding real traction without waiting for a label’s permission slip. It’s the same energy in how people are choosing brands, choosing artists, choosing who gets their attention. Authenticity isn’t a buzzword anymore. It’s the whole filter.



Urban culture has always led on this stuff first and let everybody else figure it out later. This moment is no different. The streets already know the difference between somebody flexing a logo and somebody who actually built something. 2026 is just the year the rest of the industry finally admits it.


Want more on where the culture’s actually headed? Check out the latest issue of Scrilla Guerillaz Magazine for the features, the artists, and the style moves setting the pace before everyone else catches up.

Road to Colombia: The Most Anticipated Reality TV Show of 2026 Is Ready to Take Over Your Screen

Medellin Will Never Be the Same

If you haven't heard the name Road to Colombia yet, write it down because this show is about to be everywhere. Production has officially wrapped on one of the most buzzworthy, culturally rich reality TV projects to come out of 2026, and the world needs to get ready.

Filmed in the heart of Medellin, Colombia, Road to Colombia is not your average reality show. This is something different. Something real. Something that could genuinely change the way audiences see the world and each other.

What Is Road to Colombia?

At its core, Road to Colombia is a reality series that does something most television refuses to do it bridges the gap between stereotypes. The show brings together a bold, dynamic cast of entertainers and drops them into one of the most vibrant, misunderstood cities on the planet.

Some cast members are searching for love. Some are immersing themselves in the culture. Some are on a personal journey, chasing a better version of themselves. But all of them are doing it in Medellin, a city that, like its visitors, carries a complex story the world has long reduced to a headline.

The magic of the show lies in the collision of two worlds. It takes the stereotypes that Colombians have about gringos, and the stereotypes outsiders carry about Colombian locals, and puts them all in the same room the same streets, the same music, the same food, the same nightlife and lets authenticity do the rest. What comes out the other side is connection, culture, and yes, love.

Meet the Cast

The show launched with five entertainers and quickly added a sixth who instantly became a fan favorite before the cameras even stopped rolling.

Lord Daze — A commanding presence who brings charisma and depth to every scene. Lord Daze is the kind of personality that makes you stop scrolling and actually watch.

NFD Haze — Bringing raw energy and an unfiltered perspective, NFD Haze is one of those cast members who doesn't just participate in the culture he becomes it.

Duron Karter — Cool, calculated, and full of surprises. Karter brings a grounded presence to the group that balances out the chaos in the best possible way.

Leroy Whitehurst — The kind of personality you root for from the jump. Whitehurst brings heart, humor, and a genuine curiosity about life beyond his comfort zone.

Goldmouf — With a name like Goldmouf, you already know the gift of gab is real. Entertaining, quotable, and unpredictable exactly what reality TV was built for.

Goldmouf on the adventure in Communa 13

And then there's the late addition who may have saved the entire show

Loco Liz — Added at the last minute, Loco Liz brought the exact energy the show needed to truly pop. Sometimes a production finds its missing piece right before the buzzer, and that's exactly what happened here. Her personality was undeniable, her presence was magnetic, and by all accounts she was the personality the show needed to complete the picture. The best decision the producers made was making that call.

The Man Behind the Camera — and in Front of It

Road to Colombia was produced by Jesse Daze Swindell, who pulls double duty as both a driving creative force behind the project and a cast member on the show itself. That kind of investment putting your name, your face, and your vision all on the same line speaks to how deeply personal this project is.

Production is handled by Canelon Films, bringing a professional polish to what is an authentically raw and emotionally charged series.

Filmed During One of the Most Controversial Political Moments in Recent History

Here's where the story gets even more layered. Production on Road to Colombia wrapped in late April 2026 right in the middle of one of the most politically charged periods in U.S.-Colombian relations in recent memory, as tensions between the Trump administration and the Colombian government played out on the world stage.

The timing was not lost on the cast or crew. Filming a show about breaking down stereotypes and building human connection between Americans and Colombians while that political friction was at its peak adds an entirely new dimension to what you'll see on screen. The show becomes not just entertainment it becomes a cultural statement. A reminder that the people are rarely the politics.

Where Can You Watch It?

Right now, Road to Colombia is actively seeking a distribution home, and honestly, the network or platform that picks this up is going to have something truly special on their hands. The show is completely filmed, wrapped, and ready to go. It just needs a stage worthy of its story.

Whether it lands on a major streaming platform, a cable network, or a digital powerhouse, one thing is certain when Road to Colombia drops, it's going to generate conversation. The kind that trends. The kind that makes people call their friends and say "have you seen this yet?"

The Bottom Line

Road to Colombia arrives at a moment when the world desperately needs exactly what it's offering real people, real culture, real connection, and the beautiful chaos that happens when stereotypes meet reality and reality wins.

From the cobblestone streets of Medellin to your living room screen, this show is coming. And when it gets here, don't say you weren't warned.

Stay tuned. Road to Colombia is on its way. 🇨🇴🔥

Produced by Jesse Daze Swindell | Production by Canelon Films Filmed on location in Medellin, Colombia | Wrapped April 2026

The World Belongs to Michael

Forget the film. Before a single frame flickered in a darkened theater, the marketing campaign for the Michael Jackson biopic had already rewritten the rulebook for what a movie release can be. SG was watching — and we refuse to miss it.

There are movie releases. And then there are cultural reckonings. Michael— Antoine Fuqua's long-awaited biopic starring Jaafar Jackson as the King of Pop himself — belongs emphatically in the second category. Not because of what's on screen, but because of everything that surrounds it.

THE CAMPAIGN

Walk through Times Square this week and you cannot avoid him. Step into a New York City subway car and the walls are his. Turn down La Brea Avenue in Los Angeles and you are inside a mural. Lionsgate and Universal Pictures did not release a film. They engineered an atmosphere.

The marketing machine behind Michael has been described, without exaggeration, as one of the most aggressive promotional campaigns in modern cinema. Billboards. Flashmobs. Influencer events across three continents. An entire world remade, briefly but unmistakably, in the image of one man.

"Studios Lionsgate and Universal are clearly going all in — reviving a scale of marketing rarely seen in recent years. It echoes the kind of worldwide excitement that only Michael Jackson has historically inspired."

— MJVIBE, APRIL 2026

The trailer, released in November 2025, announced the campaign's ambition in no uncertain terms. It racked up 116.2 million views within 24 hours — shattering the record for any musical biopic in history, overtaking Taylor Swift: The Eras Tour's previous benchmark of 96.1 million. The world, it turned out, had been waiting.

But Lionsgate knew a number on a dashboard was not enough. The real campaign would be physical, tactile, woven into the fabric of public life. And so it began.

APRIL 10–12, 2026

Berlin:
The Night
Became a Show

The global premiere in Berlin was not a premiere. It was a pilgrimage. Held across three floors of the iconic Uber Eats Music Hall, the event welcomed the full cast — including Jaafar Jackson, Miles Teller, Colman Domingo and Nia Long — and drew 300 creators whose combined reach extended to more than half a billion people.

Screenings were offered in multiple languages chosen by attendees. But the film itself was almost secondary to what surrounded it.

30 EXPERIENCES ACROSS 3 FLOORS

  • A moonwalk studio where fans could glide alongside a holographic Jaafar Jackson as Michael

  • An immersive concert stage where visitors became the star — lights, crowd, performance

  • The "Don't Stop 'Til You Get Enough" green screen stunt — dance along with the King of Pop

  • Magic Mirrors AR: try on any iconic MJ outfit, from Thriller to Beat It, in real time

  • 30 brand-themed experience stations, each one a love letter to a different era of the legend

  • A half-billion-strong audience reached through creator content in the 72 hours following

THE MERCHANDISE

If the billboards were the proclamation, the merchandise was the invitation. Movie theater collectibles have been on an upward cultural trajectory for years — ever since the popcorn bucket transcended its function and became an artifact. But nothing prepared the world for the Michael rollout.

Cinemark's fedora popcorn bucket became the talking point of April. An 85-ounce, 15-inch-wide sculptural recreation of Jackson's iconic black fedora, wearable as a hat or deployed as a snack vessel, it sold for $24.95 and was limited to three units per customer. That limit was necessary: resellers immediately descended. Limited-edition theater merchandise, once dismissed as ephemera, now moves with the velocity of rare sneakers and pressing-run vinyl.

"It reframes what moviegoing souvenirs are expected to be. A black fedora that doubles as an 85-ounce popcorn container is not subtle — nor is it meant to be."

— STUPIDDOPE, APRIL 2026

The fedora was the headline. But the full merchandise ecosystem was something else entirely. From Regal's textile-focused collector drops to AMC's exclusive combo sets, every major chain contributed its chapter to the same story. Fans didn't just attend a film — they curated a collection.

We at SG think the genius lies in what the fedora represents: not the biography, not the controversy, but the silhouette. The image. The moment. In holding that bucket, you hold a piece of mythology. The motion, not the man's complications. The performance, not the biography.

SG Magazine Special edition collectors item available in digital and print April 24th

THE VERDICT

Here at SG, we have covered enough cultural moments to know the difference between a marketing campaign and a movement. The rollout for Michael is the latter. Whatever critics say about the film itself — and early reviews have been divisive, with Rotten Tomatoes sitting at a rocky 32% — the marketing campaign has been an unqualified, breathtaking act of cultural engineering.

A 3D billboard becomes a landmark. A wrapped train becomes a procession. A popcorn bucket becomes a collectible. A premiere in Berlin becomes a half-billion-strong global event. These are not accidents of enthusiasm. They are the product of Lionsgate and Universal understanding, deeply and precisely, the nature of what they had to sell.

"This is not just a movie. It is a full-life, surreal experience — and it has been designed, from its very first breath, to feel exactly that way."

Michael Jackson spent his career making people feel like they were inside something larger than ordinary life. The machine built to sell his story has, perhaps inadvertently, honored that ambition better than any frame of footage. Before the lights go down and Jaafar Jackson glides across the screen in those white socks, the world has already been dressed, papered, wrapped and transformed in his image.

That, we would argue, is closer to the spirit of Michael Jackson than any biopic could ever be. We were watching. We were not missing out. And neither, we suspect, were you.

Bridging Cultures: Daze and SG Entertainment & Magazine Unite the U.S. and Colombia

Jesse “Daze” Swindell, known in music circles as Lord Daze, is a New York City–born serial entrepreneur, hip-hop recording artist, and media executive who is making a meaningful cultural impact far beyond the United States. Through his company, SG Entertainment & Magazine, Daze is helping reshape how Colombia is seen, experienced, and understood by American audiences.

Lord Daze in Medellin

During a period marked by tense foreign relations under the Trump administration, particularly involving Latin American countries, Daze chose a different path: cultural connection. By opening a new branch of SG Entertainment & Magazine in Medellín, Colombia, he created a bridge between two nations often separated by politics, stereotypes, and misinformation.


This expansion gave Colombian creatives, entrepreneurs, and tastemakers a global voice. At the center of this effort is SG Magazine Issue #34, a special Colombia-based edition fully dedicated to showcasing Medellín’s nightlife, culture, cuisine, businesses, and creative energy. Rather than focusing on outdated narratives, the issue highlights the city’s evolution, innovation, and vibrant spirit.

Issue 34

One of the most celebrated elements of the issue is its spotlight on five influential female DJs who are shaping and controlling Medellín’s nightlife scene. By placing women at the forefront, Daze reinforces his mission to empower creatives, elevate underrepresented voices, and challenge industry norms, both locally and internationally.

Building on this momentum, Daze is also launching a new reality television series titled Road to Colombia. Production is set to begin in February 2026 in the heart of Medellín. The show aims to give U.S. audiences an authentic, unfiltered look at Colombia’s beauty, people, culture, and everyday life, far removed from the stereotypes often portrayed in mainstream media. The series is expected to air on major streaming platforms, including Amazon Prime, Netflix, and others, later in 2026.

At a time when global narratives often lean toward division, Daze and the SG Magazine family are pushing unity, collaboration, and cultural respect. Their work stands as proof that outside of politics and conflict, peace, creativity, and human connection still lead the conversation, and the people are embracing it.

Road to Colombia: The Reality Series Set to Redefine Travel, Fame, and Brotherhood

A new era of reality television is on the horizon, and it’s heading straight to the heart of South America.



Road to Colombia is an electrifying new reality series that follows five accomplished American entertainers as they leave behind their comfort zones and step into the pulse of Medellín, Colombia, a city known for its beauty, resilience, nightlife, and deep cultural roots. What unfolds is not just a trip, but a life-changing journey filled with ambition, temptation, growth, and raw human connection.

This isn’t your typical reality show.

This is culture in motion.

Meet the Cast: Power, Talent, and Personality

The series centers on a dynamic group of men, each bringing a unique background, mindset, and purpose to the experience:




  • Lord Daze – Recording artist and serial entrepreneur, navigating fame, creativity, and legacy while expanding his global footprint.

  • Duron Karter – Professional model and elite fitness coach whose discipline is tested beyond the gym as he embraces new cultures and relationships.

  • Goldmouf – Recording artist with a bold presence and undeniable hunger, using the trip as fuel for artistic inspiration and self-reflection.

  • NFD Haze – Rising recording artist chasing clarity, connection, and his next breakthrough moment.

  • Leroy Whitehurst – Business executive bringing strategy, wisdom, and a grounded perspective to the group dynamic.




Together, their chemistry creates moments of laughter, tension, brotherhood, and unforgettable storytelling.

Medellín Like You’ve Never Seen Before

Set against the stunning backdrop of Medellín, Road to Colombia dives deep into the city’s vibrant cultur, its music, fashion, nightlife, cuisine, and people. The cast doesn’t just visit Colombia; they immerse themselves in it.

From high-energy nights and luxury experiences to intimate conversations and emotional crossroads, the city becomes a character of its own, challenging the men to confront who they are and who they want to become.

Romance sparks.

Friendships are tested.

Truths come to light.

More Than Reality TV, A Cultural Experience

At its core, Road to Colombia blends:

  • Cultural exploration

  • Real-life drama and emotion

  • Romance and vulnerability

  • Ambition and self-discovery


The show captures authentic moments that go beyond surface-level entertainment, offering viewers a front-row seat to growth, conflict, and transformation, all while showcasing Colombia through a global lens.


A Major Production with Global Vision


  • Production Begins: February 2026

  • Target Premiere: August 2026

Produced and written by SG Entertainment & Magazine, and directed by Canelon Visuals, the series is executive produced by Duron Karter, Kevin Townley, and VR Novels 360, with distribution handled by Kevin Townley Films in association with Netflix.

This powerful collaboration signals one thing loud and clear:

Road to Colombia is built for a worldwide audience.


Why Road to Colombia Will Be a Must-Watch

This isn’t just a show about travel, it’s about identity, ambition, culture, and connection in a globalized world. It’s about what happens when success meets the unfamiliar, when comfort meets challenge, and when cameras capture real moments instead of scripted perfection.


Whether you’re drawn to music, fashion, fitness, business, romance, or raw storytelling, Road to Colombia delivers it all, bigger, bolder, and more authentic than ever.

Fasten your seatbelts.

The journey begins soon.



The Big L Biopic (Put It On) Canceled: A Journey Cut Short of Production

In this pause, we anticipate the resumption of Big L's story on a platform that befits his legacy. For now, we extend our gratitude to Jesse (Daze) Swindell and Kevin Townley and the entire cast and staff for their valiant efforts, and we eagerly await the day when Big L's tale graces the silver screen, a tribute befitting the indelible mark he left on the world of hip-hop.

Actor/ rapper Sean Jenkins as Big L in record shop signing original album for store owner

In the world of entertainment, projects often go through numerous ups and downs before reaching the big screen. Such is the case with the highly-anticipated biopic of the legendary rapper, Big L, titled "PUT IT ON." Unfortunately, after a series of setbacks and challenges, the project has been officially canceled. Let's take a closer look at the journey behind the scenes.

James (Big Lee right hand man) , Jesse (Daze) Swindell film producer, Leroy Phinazee Jr. (lil Lee) Executive producer

In 2018, the hip-hop world was buzzing with excitement when news broke about the Big L biopic titled "Put It On." The script, masterfully crafted by Jesse (Daze) Swindell, received assistance from Big L's nephew, Leroy Phinazee Jr., and his brother, Don, along with other close family and friends. However, amidst personal tragedies and various challenges, the project faced unexpected setbacks, leading to its eventual cancellation. A Tragic Turn of Events: The year 2019 brought heart-wrenching news as Leroy Phinazee Jr., also known as Lil Lee, was tragically shot and killed on the very block where his father and uncle, Big Lee and Big L, respectively, met their untimely fates.

Put It On Movie cast and staff

Lil Lee's death, coupled with online feuds involving members of D.I.T.C (Diggin' in the Crates Crew), added to the already mounting difficulties faced by the biopic. A New Partnership: Realizing the need to overcome these obstacles, Jesse (Daze) Swindell decided to seek a new path forward. He teamed up with film producer Kevin Townley, hoping that this partnership would breathe new life into the project.

The path to bringing Big L's story to life proved to be an uphill battle.

Their collaboration aimed to resurrect the "Put It On" biopic and honor the legacy of the late rap legend, Big L. Casting Call and Progress: In the midst of the 2020 pandemic, despite the challenging circumstances, a casting call was held in the South Bronx at a local studio to search for the perfect actors to portray the lead characters in "Put It On." Sean Jenkins was selected to embody the late rap legend, receiving the esteemed co-sign from Big L's childhood friend, Herb McGruf

Sean Jenkins as Big L and the real Herb McGruff on set

With McGruff's endorsement, the project began to gain momentum. An Ambitious Sizzle: The passion behind the project was evident as the full cast, including portrayals of Big L, Fat Joe, Jay-Z, Big Pun, Lord Finesse, and Biggie Smalls, came together. The team shot 85% of an impressive sizzle reel on the actual streets of Harlem, capturing the essence of the era and the spirit of Big L. Over the course of a week, they meticulously crafted a 15-minute preview, showcasing their dedication and talent.

Big L and Biggie portrayed in 139st park

Obstacles and Heartbreak: Unfortunately, the road to success was not without its hurdles. The project encountered yet another setback when Big L's brother, Don, and the Big L estate decided against moving forward. Other documentaries and the sale of Big L's masters complicated the clearance process, leading to disagreement among family members involved.

Sean Jenkins as Big L, and Chavar Smalls as Big Lee posted in Harlem on 140th & Lenox

Despite the cast's dedication and enthusiasm, the project hit a major roadblock. The End of the Road: With years of frustration mounting, Jesse (Daze) Swindell made the difficult decision to throw in the towel, acknowledging that the project's journey had come to an end. However, in a final tribute to Big L's legacy, the sizzle reel, crafted with love and passion in 2020, will be released to the public before 2023 ends. Looking to the Future: Though "Put It On" may have met an unfortunate end, the story of Big L and his impact on the hip-hop community remains relevant and deserving of a cinematic portrayal. Jesse (Daze) Swindell, despite the challenges faced, still holds hope for a future film or documentary that will honor the late rapper's legacy.

Sean Jenkins as Big L and Tammi Bailey as Gilder (Pinky) Terry, Big L’s mother, on set filming his final words to her

Conclusion: The cancellation of the Big L biopic "Put It On" leaves a lingering sense of what could have been. As we bid farewell to one cinematic endeavor, we hold onto the optimism that the Big L estate, in collaboration with passionate filmmakers and the support of New York's hip-hop royalty, will produce something extraordinary in honor of the legendary lyricist.

Scrilla Guerillaz Ent & Magazine, LLC